Client apps and cloud services

Yes, thats it . .

"the marriage of really great client apps with really great services from the cloud is a really powerful marriage . . ."

Steve Jobs at D5, and yes, I think this is a powerful combination. Applications which are great, in that the user can geddit quick, they work well, look great - and delivering fantastic services becuase they are backed by a database (like google map) kicks ass!

that with a mobile computing device . .a phone or other thing . .

there is a lot in this simple idea which is well worth exploring . .and combine that at the other end with XML input form users, and there is a very interesting evolving thing to be explored

See Steve Jobs and Bill Gates interviewed

Notes on the Weekly re-design

With Guardian Weekly settling in to it's third issue, the best cover image so far . . I thought it time to write something about it. Guardian Weekly . . an internationally oriented weekly newspaper, carrying articles from the Guardian, plus Le Monde the Washington Post and the (London) Observer. It's not so welll read in the UK (though I think it has a wider market here than it reaches) but has a growing readership elsewhere in the world.

With this redesign, it has changed from the old Guardian typography (Helvetica, Miller) to the new Guardian typefaces(Guardian Egyptian and Guardian Sans) which were created for the Beriner redesign. There is also a format change from tabloid, and mostly mono, to half Berliner. The copies in Europe are printed on the Guardians new (ish) Berliner presses and are full colour. The US and Australian editions are printed on older presses and therefore the readers in countries served by those presses have little colour, which is less accurate than the European copies. I hope full colour Berliner presses begin to appear in these parts of the world soon!

The design brings more photography to the newspaper, but keeps display sizes down. It makes use of elements introduced in the Guardian which combine photos and text in fixed size elements. The image part of these can be photo, small info-graphic or large numbers, which are then expanded upon in the caption/quote adjacent. They serve to extend the stories, help animate the page while taking up minimal space.

We have used variations in the grid to change pace throughout the paper - from the immediacy of 4 column news to wider measures on comment and features for a more leisurely read.

We believe this is the first half-berliner format UK newspaper . . . and it has so far (third edition this week) got a favourable reception.

Having been involved twice before in changes to the Tabloid/helvetica Guardian Weekly, I know the paper well . . and I'm sure this new iteration will surprise many readers . . i hope they come to love it - I'm fairly sure they will.

An extensive redesign allows any editorial team to re-evaluate how they put a paper together, and this is a good time to be refreshing newspapers the world over. I wish GW all the best, and hope they grow and extend the Guardian's liberal voice to a wider audience worldwide . .

This week also sees a major change (designed by our Creative director Mark Porter) to the front page of the Guardian website. This brings it closer to the look and feel of it's print counterpart, and is part of ongoing development.

The new Guardian Weekly

It has been a day of firsts for me, both coming together in East London . . After a crazy few hours participation in the final pages of the first edition of the redesigned half-Berliner format Guardian Weekly, I jumped in a taxi with Will, Jenny and Natalie for a slow dash to Stratford and the Guardian Press Centre.

So my first is the redesign I've worked on for ages finally coming to publication, and my second first is seeing the fantastic Guardian Print Centre. I have not seen many presses, that's for sure, but I did visit the previous Guardian press, but this place is great. We watched the presses running from inside this large room flanked by windows, which look out onto Great slabs of metal with paper rushing past and through them.

The physicality of the press is something to be seen. Printers stand in front of very high tech computer consoles, against which they'll hold the actual copy that has just been pulled form the press. The newspaper is positioned against an array of buttons, and the printer studies it to see if the inking is correct. If not he or she will press a button below the under-inked bit on the page, and because the button corresponds to that physical position in relation to the paper rushing through the press, it will affect the colour on the next copy pulled from the press . . .

Hmm, geek, me?

Anyway, it was exciting on all counts. Guardian Weekly looks and reads great. I am very pleased with the GW team for handling the new design so well, and more than satisfiedwith how it has turned out.

Lets hope some berliner presses get up and running in the US and Australia in the not to distant future, and the quality of printing and all-over colur can be seen around the world!

If the robot shoots, who's to blame?

"Imagine the miners strike with robots armed with water cannons, these things are coming, definitely."

Interesting piece on the BBC website, looking at the ethical issues around the use of robots. Apparently Samsung is working on a robot which will have 2 cameras and a machine gun . . reminiscent of Aliens . . but to patrol (and kill) people. It also brings to mind Robocop.

There was a great graphic in the Guardian today—in the wake of the revelation that the US is building a wall in Bagdhad to keep Sunni from Shia—showing the extent of walls and fences around the globe built to keep groups of people away from each other. There are loads of them, all around the world - and I guess that those Samsung robots are for patrolling the 248km fence between North and South Korea.

Is this because to resolve these various conflicts would be too much of a volte-face for any of these political systems? Or that too little has been done to resolve these issues for years - that colonial and imperial chickens are coming home to roost.

hmmm.

It seems that the TV series by Adam Curtis, The Trap: What happened to our dreams of freedom have made their way onto google . . just as well, the link I left earlier to info about the programs seems to have died. Watch it here!

Is change possible

Just had lunch with my brother and mother, during which she said that she was becoming quite depressed at her own growing scepticism about the possibility of real change (in the world).

I find this too. I think that this is a result of 2 main currents: Firstly, events which happen are so difficult to comprehend although you know they're real (like the "war on terror") and secondly, because the domininant idea at present is that capitalism will solve all - that the individiual can do nothing except for themselves - and this combination is so prevalent, even in places (the labour party for example) which had more collective ideas previously, that many people are just giving up on bigger social ideas . .

Its all a little unnerving.

Are free newspapers destined for the dustbin of history?

London is getting sick of the enormous amount of litter generated by the 2 newest free newspapers available every day on our streets, according to MediaGuardian. I don't travel by tube train myself, but have heard from friends how they find themselves wading through a dirty carpet of newprint . . ironic though, that in this time of anxiety over the future of paid for newspapers, due to migration of advertising money - and changing reader habits, that free papers should come unstuck by their very physicality . . .